About · Keep Them Spinning
Records deserve a home — not a shelf.
We design vinyl storage in Madrid — objects built to sit beside the turntable, not compete with it. One system, three friends, and a thirty-year question finally answered.
Havana → Madrid · Thirty years
It started with a boy, a record, and a question that took thirty years to answer — and ended with furniture we actually wanted to own.
A boy, a record, and a question that took thirty years to answer
Gilberto learned how to handle a record before he learned how to read. In Havana, vinyl wasn't stored — it was cared for. You lifted it from the sleeve with two hands, by the edges, never the face. His father did it that way. So did he.
Thirty years and one ocean later, on a Madrid afternoon, three friends stood in front of a warped flat-pack shelf sagging under a growing collection and asked the obvious question: why does furniture built for records treat them worse than the people who love them? Nobody had a good answer. So they built one.
A boy learns to handle a record before he learns to read.
Three friends. One warped shelf. A question finally answered.
400+ collectors · 25+ countries · every piece inspected in Madrid first.
Your records will outlast your turntable. So should the furniture that holds them.
G · G · R — printed on the Madrid warehouse wallDesigned in Madrid — by three collectors who built the shelf they wanted to own
Guillermo, Gilberto and Rodolfo. Three partners, one table in Madrid. No investors, no accelerator, no brand consultant — just the three people whose names are on the first purchase order we ever printed.
Six months. That's how long every prototype sits on the shelf above the test turntable in our European design center before it ships. If a joint creaks, a finish lifts, or a drawer drags on its slides — it stays. Three friends, one vision, built the way we want to own it.
Three things we refuse to compromise on
Everything else is style. These are the ones we argue about, lose sleep over, and throw out a prototype for. They're printed on the wall of the Madrid warehouse — because they are the point.
Solid wood. Or nothing.
No MDF, no veneer, no particleboard pretending. Every KTS module is solid timber with an internal steel reinforcement. Fifty records is a lot of weight — and the module you buy today is the shelf you'll still own in 2055.
Designed here. Inspected here.
Every piece is drawn, prototyped and signed off in Madrid. Every piece passes our warehouse inspection bench — by hand, by name. Not a factory floor on the other side of the world.
Built to outlast the records inside.
A pressing lasts a century if you treat it right. The furniture around it should be built the same way — solid timber, internal steel, mortise joints. The module you buy today is the one you'll still own in 2055.
How collectors live with KTS
Real homes, real collectors. Six setups from our owners around the world — real rooms, real systems, real records.
Questions collectors ask before they buy
Where exactly are KTS pieces made?
Why not oak or pine?
How long does shipping take and what does it cost?
Can I start small and add modules later?
Do you offer returns or a warranty?
Is the price what I see, or are there hidden import fees?
The module the founders built for themselves.
Vinyl Modular x4 — solid wood, holds 200+ LPs, stacks infinitely, ships worldwide from Madrid. It's the unit we keep at home, and the one most collectors choose first.